In this review, I gave some tidbits about what makes this book so important and special. Click here to go read it online. Thanks Erin Donley for allowing me to lend my voice to the review.

I start clicking on the thumb nails to expand the images to their large size. That’s when I come across this:

OMG! I totally spotted Neil’s copy of Ravens in the Library. *insert fangirly squeeing here* Go read the original blog post to get an even LARGER photo where you can distinctly read the spine and see that it has been opened. While you do that I’m going to try and calm down and maybe do some back posts to the site.

Well, I thought I clicked on the first of 3 empty lists… and then… realized to my horror… that the first thing that got deleted was my SIX FREEKING PAGE amazon wishlist that I had since 2000 or so. Everything gone. Never to return.

Needless to say, I now have a clean slate to fill. Anyone got any pagan, tarot, paper arts, young adult, fantasy/scifi, or horror books, DVDs, or industrial/techno CDs you’d like to recommend? Comment away and I’ll link them up to my new “Massiv Wish List”. This is your chance to help influence my book habit in 2009.

I just added the read to my Goodreads.com page. Which then led me to looking the book up on amazon. On that page there’s a video of Cornelia describing a bit of herself and her process. I love what she has to say about it all. I especially love how she mispronounces Moleskine (she says the word the same way I say it).

Now that I’ve finished a book, I think I’m going to switch gears now and work on my Tarot School homework. I’ll post more about that in a bit.

Therefore, for those curious about my reading habits: what I read and how many I go through, here’s an incomplete listing of all the books I read (owned and borrowed from the library) in 2008. I love how the covers look. Yet, I look at the montage and feel that I read A LOT more. Fifty-four books in one year seems a bit… light to me. I’m hoping that I’ll be able to keep better track of all the books I’ve read as well as getting all the books I own into the GoodReads system.

Jaymi’s 2008 book montage

Powered by Goodreads.com

Written by Richard Powell
Published by Adams Media
ISBN 1593375964

I was at one of my favorite book stores which also catered to the new age crowd a week ago. My friend, corie was in town and wanted me to drag her to all the hot-spots in Portland. She’s also a book freak and she must have purchased about 10 books on a shoe string budget during her stay here. We wandered in and out of the aisles looking at all the books, and knick-knacks when my eyes ran across Wabi Sabi for Writers, by Richard Powell. I also have on my shelf (and started to read a long time ago, but never finished) his other book, Wabi Sabi Simple. I was amused and amazed that here was a book on a subject that I am growing more and more interested in, encapsulated inside a well written, personal account on writing.

According to Powell, writing lends itself well to the ways of wabi sabi. For it is through exploration, simple natural elements, connecting and sharing with others the passion for writing, and the test of time that turns an item into something wabi sabi. The same can be said about writing. Good writing, has to have certain universal elements, explore some “element of nature” (natural or humankind), and withstand the test of time. Writers also need a reader, for without the act of sharing, the story cannot be complete. The rest of the book, then, uses inner dialog with the haiku poet, Basho; personal tales of experience that help to illustrate how one achieves points while being on the path of wabi sabi; and examples of writing, contemporary and canonical, that he considers wabi sabi to show writers how to apply this to their own works.

The book is broken down by topic chapters, these being: Wabi Sabi for Writers, Inspiration, Education, Wabi Sabi Beauty, Enlightenment, Motivation, Community, Wabi Sabi Elements, and Craft. Powell sets the theme of each topic with a small inner dialog question and answer session between himself (the writer) and the great haiku poet, Basho, who he questions about why these elements are important to both wabi sabi and a writer who desires to attain the idea of finding the truth through the craft of words. He then goes into the heart of each chapter discussing how writers can get more out of their daily and lifelong practice of writing if they applied these concepts and ideas to their work. While Powell focuses most of his examples around his love of haiku and other Japanese poetic forms, he says that any writers can benefit from the knowledge of wabi sabi.

And I agree with him. Already this book has awoken a new perspective in me. The chapter on Community, for example, discusses how we writers aren’t really meant to practice our craft in a vacuum, but rather share and get help from other writers. We are not meant to write alone. Only one half of the story gets told, the other half… unfolds when someone else reads and interprets our words. Not to mention all the writing groups (like NaNoWriMo) which encourage writing with partners, in groups and sharing ideas and pitfalls so that others can help us gain more insight into our own works.

The book also helps shape your words and your voice as you write. It’s a constant reminder that writing takes time to develop and uncover the right words to use for the right scene. It is okay to not get things down right the first time, that you can go back and add more complexity and layer more meaning onto the draft as time goes on. In the chapter on Wabi Sabi Elements, Powell suggests that instead of passing off time or seasons in your work, you should describe the world around your characters, the smells in the air, the way that leaves fall of trees or snow sprinkles to the ground to instill a sense of natural beauty and wonder into your written work.

It’s also given me a few other insights, as well. Take my wallet, for example. I own a rather “bland” but highly functional and very efficient jimi wallet, in smoke. Now I love this wallet because of it’s streamlined look and the fact that it holds everything I want to carry on me and nothing more. Well, last night, while reading the chapter on Wabi Sabi Beauty, Powell covers a topic known as jimi, or “the beauty in somber colors, traditional treatments, and correct style.” Had I never read this book, or had an interest in wabi sabi itself, I would have never guessed that my little wallet, which also has the same name as this Japanese aesthetic, also carries the lines, features and functionality that jimi represents. Nor would i have ever learned about mono no aware, being a concept of “sensitivity to things,” would also take on a new meaning as I listened to the industrial group who’s sound seemed to reflect the beauty and depth of pitting natural sounds in with caccophanic instruments. And having reflected on these topics, I have actually been able to write about them in a way that shares my epiphanies and revolutions.

I also like how Powell breaks down each chapter into smaller chunks and snippets of things we, writers, can do to add a greater dimension and spirituality to our works. We’re not just carefully crafting stories but we’re breathing real life into the works. It’s easier to break apart this large ambiguous concept into more concrete chunks and makes a lot more sense. Which could be one reason why I have never really finished Wabi Sabi Simple, even though I enjoyed reading it as well.

The book ends with a glossary of common Japanese terms and a small (but comprehensive) appendix of Suggested Reading which contains contemporary works, alongside some good books on haiku and history on Basho. The reading list alone is an added bonus to view works of wabi sabi writing in practice. I highly recommend this book for those who are into wabi sabi philosophy, writing haiku or just wanting to maybe add another layer of dimension onto your writing crafts and want to expand and explore new writing techniques.

Written by Chip Baty
Published by Chronicle Books
ISBN 0811845052

Before any of you can ask me, yes I finished today’s NaNoWriMo word count with 2502. Which leaves me with a perfect segue-way into my first review for November is D*I*Y Planner Review Month or DIYPlaRevMo. *ahem* Okay, sorry… I’ll try and refrain from the jokes. But it should come as no surprise that the first book I’m reviewing this month is Chris Baty’s No Plot? No Problem!. Not only is the book a wonderful companion to this month’s NaNoWriMo excursion but it’s also a great stand alone writing book.

For those of you who want to try the NaNo experience but have way too much going on in November, I whole heartedly suggest that you get this book. It’s jam packed with the same sass, intensity, whimsical prose and gentle prodding that makes participating in this event fun. Baty doesn’t really help you write better prose, per se. Instead he focuses on the culture, the things that help you produce writing, give you time and help you turn off your inner editor and write uninhibited prose. Fast and uncensored. His goal, and it works as I can attest to this, is to help you write a full first draft of a novel, in little time. No Plot? No Problem! contains lots of suggestions, pep-talks, exercises and humor to help you get off your butt, silence the inner editor and learn to love counting words.

The first part of the book discusses the history of this writing phenomena, his own personal views on writing and what he thinks it takes to create a work within this framework. He really doesn’t believe that it takes an original, perfect and strong plot to write a novel. Sometimes all it takes is an basic idea, maybe a character name, writing buddies and your family to keep you going and maybe a writing totem and the promise of hefty rewards when you reach particular goals. Therefore, this section dispels the myths behind writing alone, secluded without toys or rewords. Baty also sprinkles thoughts and articles written by other NaNoWriMo participants throughout this section that coincide with the topics he selected to write about.

The second half gives you a portable NaNoWriMo. Baty guides you week by week into writing and finishing your 50,000 word novel in 4 weeks. Amazingly, this guide captures the same feeling and style that actually participating in the competition every November has. Baty shares with you tips and tricks that you can use to help get you past the various hurdles associated with marathon writing. He also includes special pep-talks designed to keep you writing. And at the end of your 30 days, you too will have a complete draft of a novel.

I highly recommend this book, if only to compare the size of 50,000 words. The book itself, is about 50,000 words… if not a little bit more. Out of all the books I own on writing, or exercises to help me write, I can say that this is the one book that helps cheerlead me to a writing victory. This book is all about the passion, the culture and the insanity that happens to us writers when we go word crazy and silence the editor who tells us that zombies and romance should not coexist in a work of fiction.

Gemstones and feng shui; the marriage between the two isn’t as apparent as it should be. However, stones and their energies are a perfect companion to the ancient Chinese practice. Sandra Kynes’s book, Gemstone Feng Shui, explores this complex and interesting relationship. I imagined a whole system of feng shui that used gemstones to counter and support the natural energies of feng shui. While the book has a wealth of information on how to use crystals in conjunction with traditional feng shui practices it fell short of that first impression. Instead the book attempts to describe how to use the stones with current good feng shui practices.

The book has two parts. The first part introduces crystals, healing properties, feng shui basics and tools. It then goes into limited exploration of how to use gemstones in combination with feng shui. The book does a great job of introducing the basics of crystals. Ms. Kynes’s gemstone-circle meditation is a great way to introduce new users of crystals and their energies to one another by placing them around a person. The book uses the 9 Square, or Lo Shu Grid to teach readers feng shui. The Lo Shu Grid divides a room up into squares instead of the more common practice of visualizing a room broken down into a circle with each direction representing a piece of the pie.

The second half of the book goes into the gemstones themselves. Over 100 pages are dedicated to explaining the history, lore and energy properties of selected stones. This part of the book is worth its weight in gold. These tables and lists show readers new gemstone correspondences as they relate to the 5 traditional Chinese elements.

Gemstone Feng Shui falls short at teaching readers how to incorporate gemstones into daily feng shui practices. When it describes how to remove blocking or harmful energies it is done separately from gemstones. The two topics seem to have very little to do with each other. When they do interact, it is through descriptions of situations and their blocks and a few suggestions on how to counteract, harmonize or enhance aspects of this element. The book makes a series of statements rather than exploring the rationale behind how the stone’s energies work to produce the desired feeling in a room. It quickly goes from element to element as well as showing how the colors of the stones or one’s birthstone can also produce and affect feng shui energies.

Overall, this book is not for beginners of crystal work and feng shui. Even with the introductory chapters on each topic, the book tries to cram a large amount of study and history of both feng shui and crystals but doesn’t do much to describe the marriage between the two. However, the time and energy spent on describing the stones and their energies make up for the lack of practical applications.